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    <dc:date>2026-02-26T08:21:52Z</dc:date>
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  <item rdf:about="http://localhost:80/xmlui/handle/123456789/3555">
    <title>EXPANSION OF BUILT UP AREA AND ITS IMPACT ON URBAN AGRICULTURE: A CASE STUDY OF PESHAWAR-PAKISTAN</title>
    <link>http://localhost:80/xmlui/handle/123456789/3555</link>
    <description>Title: EXPANSION OF BUILT UP AREA AND ITS IMPACT ON URBAN AGRICULTURE: A CASE STUDY OF PESHAWAR-PAKISTAN
Abstract: This dissertation traces the spatial growth of Peshawar City District and its impact on&#xD;
urban agriculture. Peshawar is the capital of Khyber Pakhtunkhwa and one of the major&#xD;
cities of Pakistan. Data and information for the study was collected from historic maps,&#xD;
satellite images, documents, government offices (mostly from revenue record), private&#xD;
stake holders like real estate agents and farmers. The analysis shows that the city has&#xD;
been growing at a very rapid pace in recent years and in the absence of planning control&#xD;
has seen tremendous urban sprawl. The urban sprawl first set its foot in 1960s along the&#xD;
major roads radiating out of the city and cantonment. It then started expanding in a&#xD;
leapfrog fashion encroaching upon agricultural lands in the fringe with minimum of&#xD;
facilities and all the harmful environmental and social consequences. The haphazard&#xD;
growth often resulted in the development of slums or undesirable residential areas with&#xD;
lack of services and amenities, piecemeal commercial development, and intermix of&#xD;
conforming and non-conforming land uses.&#xD;
The pattern of development of urban sprawl in Peshawar is typical of most Pakistani&#xD;
major cities, where ribbon sprawl is common along major roads, while leapfrog sprawl is&#xD;
prevalent in the city’s fringes. The sprawl is consuming rich agricultural land and poses a&#xD;
threat to food security. The study highlights the causes of urban sprawl, analyzes land use&#xD;
dynamics and discusses some of the strategic and policy options that are available to&#xD;
control proliferation of sprawl and promote sustainable development of land use in the&#xD;
city.&#xD;
The most alarming aspect of encroachment on farmland in Peshawar City District is the&#xD;
loss of prime agricultural land. Residential land use was the biggest consumer of&#xD;
farmland during 1991-2009 period. Some 8,748 hectares of farmland was lost for&#xD;
residential purposes. Brick kilns were the second largest consumer after residential land&#xD;
use. Conversely, gain in the farmland was achieved mainly by bringing cultivable waste&#xD;
area of around 26,600 hectares under plough. However, most of the area brought under&#xD;
cultivation did not belong to prime agricultural land and was mostly rain fed area in&#xD;
southern part of the city district. Moreover, further expansion of agricultural land has&#xD;
vstopped and therefore, any future assault on farming land will not be compensated even&#xD;
by inferior quality agricultural land.&#xD;
In order to analyze land use and farming dynamics in peri-urban environment in this&#xD;
research, five sample mauzas were randomly selected for detailed study. The changes&#xD;
have been more drastic in those mauzas/villages located near the core city than those&#xD;
located away from it. Success of housing schemes on agricultural land has inspired&#xD;
individuals and groups of all types to join the race and buy land across Peshawar. There&#xD;
is a need to control this trend, which is continuing in the absence of land use or planning&#xD;
control.&#xD;
Multiple government agencies and political interests influence land use development in&#xD;
Peshawar City District. There is a need to promote coordination between them and&#xD;
develop a flexible plan for the City District. It has to be realized by both the government&#xD;
as well as the general public that the encroachment of urban uses over farmland is cutting&#xD;
into national food basket and the present policy, or the lack of it, is ultimately bound to&#xD;
cause greater shortage of foodstuff and increased dependence on import. Therefore the&#xD;
present assault on urban farmland cannot be allowed to continue. However, the&#xD;
commercial pressure on farmlands has to be tackled through exploitation of available&#xD;
commercial opportunities. Farmers have the potential towards adjusting their enterprises&#xD;
to take advantage of new economic opportunities at the urban fringe. However,&#xD;
Government support is indispensible towards this end. The recognition of urban and peri-&#xD;
urban agriculture as urban land use, and its integration in land use plans and the creation&#xD;
of a favourable policy environment are critical basic steps towards this end.</description>
    <dc:date>2012-01-01T00:00:00Z</dc:date>
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  <item rdf:about="http://localhost:80/xmlui/handle/123456789/4356">
    <title>Da Pashto Walasi Adbiyaato Tanqeedi Mutalia</title>
    <link>http://localhost:80/xmlui/handle/123456789/4356</link>
    <description>Title: Da Pashto Walasi Adbiyaato Tanqeedi Mutalia
Authors: , Abdul Ahad</description>
    <dc:date>2019-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://localhost:80/xmlui/handle/123456789/4363">
    <title>Urdu Adab Ka Muntakhib Shaura Ki Taqleeqi Nasar-Aik Jaiza (Munir Niazi, John Elia, Sarmad Sahbai)</title>
    <link>http://localhost:80/xmlui/handle/123456789/4363</link>
    <description>Title: Urdu Adab Ka Muntakhib Shaura Ki Taqleeqi Nasar-Aik Jaiza (Munir Niazi, John Elia, Sarmad Sahbai)
Authors: Ahmad, Imtiaz
Abstract: This dessertation reveals round the prose writings of the selected poets,&#xD;
especially Munir Niazi, Jaun Elia and Sarmad Sehbai. The basic purpose of this&#xD;
dessertation is to review the prose writings of these popular poets to bring&#xD;
different aspect in the Urdu literature. &#xD;
Now we discuss the main features of these chapters in the following.&#xD;
Chapter first, "Takhlique, Takhliqar, Takhliqui Mahiat aur Reviat" is divided&#xD;
into three parts. In the first part the meanings of creation, and&#xD;
acknowledgement of aritics, opinion is cleared. In these opinions the models of&#xD;
creative personlities and by their work the world creation is captivatived. The&#xD;
definitions of the critics are presented with suitable arguments. In the second&#xD;
part the mental and psychological, keeping in view the clearness of this fact&#xD;
has been proved that the creators infact bring in existance their mental comfort&#xD;
in the field of life to concentrate new things. In the lives of creators by studying&#xD;
their psychological aspects this phenomena is written. Infact human thinking is&#xD;
capable of superiority But small organism found in this world to whom such&#xD;
natural art is gifted seeing them the human intellectuality is drenched. With&#xD;
the example of this organism from the little bird "Bay" is described. Who build&#xD;
its nest artistically. In the third part attached with literature tradition of the&#xD;
creators is cleared by artistic way by Muneer Niazi, Jaun Elia and Sarmad&#xD;
Sehbai by these discussions, this point is taken in common that the creation&#xD;
and creators have positive aspects. &#xD;
Second chapter, "Muneer Niazi (1928-2006) Ki Takhliqui Nasar". In first&#xD;
part of this chapter the autobiography has been described by researching point&#xD;
of view. His life has been described in every aspect with detail. All the dates&#xD;
and years have been captivated with certificates and references. Because&#xD;
10&#xD;
Muneer Niazi is free from the affairs of daily life. He did not care and&#xD;
depressed any one. Specially he does not have the dates and years in his mind.&#xD;
Even now he did not have the correct information about his own life. His&#xD;
correct date of birth has been derived from the admission and withdrawl&#xD;
reqister of Punjab University national identity card, by "Writers Guild of&#xD;
Pakistan Membership Register." Which seemed suitable. In the second part the&#xD;
creations of Muneer Niazi is discussed. The basic reference of Muneer Niazi is&#xD;
as a poet. Therefore his poetry collections are introduced and different topics&#xD;
are discussed. In the prose writings in which coloumns, dramas, flap of books,&#xD;
and preface are discussed in detail. By this discussion the details of his prose&#xD;
are guessed clearely. &#xD;
Chapter Three "Jaun Elia (1931-2006) Ki Takhliqui Nasar" is divided into&#xD;
two parts. In the first part the autobiography and personality of Jaun Elia has&#xD;
been capitivateed in a researching point of view. Collecting all the relevent&#xD;
references his years have been written with references. In the second part the&#xD;
poetry of Jaun Elia has been introduced in the prose collections "Light Essays"&#xD;
has been artistically captivated. Most of the critics have opinion about the&#xD;
prose of Jaun Elia. If Jaun Elia were not a poet. He would have been a well&#xD;
known prose writer. After Abdul Kalam Azad, Jaun Elia is only the prose&#xD;
writer who has prose knowledge and attraction. The witness of the critics can&#xD;
be seen in its prose by his artistic study as prose writer the superiority of Jaun&#xD;
Elia has been found. &#xD;
Chapter four "Sermad Sehabi (1945) Ki Takhliqui Nasar" is divided into&#xD;
two basic parts. In the first part the details of autobiography initial creative&#xD;
period has been described his personal aspects of life are high lighted. The&#xD;
father of Sermad Sehbai Abdul Samad Pal Asar Sehbai and uncle Ameen&#xD;
Huzeen Were stylistic poets. Ameen Huzeen was the student of&#xD;
"Shams-ul-Ulma Molvi Meer Hassan". Ameen Huzeen was impressed by&#xD;
Allama Muhammad Iqbal and profound impact is found in his poetry being&#xD;
11&#xD;
the member of well known family of scholars supernatural aspects of poetry&#xD;
and prose is cleared. In the second part the poetical and prose topics are&#xD;
discussed. After this the prose of Sermad Sehbai in which published television&#xD;
dramas, Radio Dramas and film Mah-e-Meer are captivated by discribing the&#xD;
prose of Sermad Sehbai in detail. In the present period of the history of&#xD;
Pakistan drama, and the tradition of film writings. Sermad Sehbai is the only&#xD;
writer due to his efforts in the industry of drama and film is still alive. &#xD;
Chapter five "Muneer Niazi, Jaun Elia and Sermad Sehbai Kay Zehni aur&#xD;
Takhliqui Tanwoat- Aik Mohakma". In this chapter the detail discuss about&#xD;
common topics of these three personalities. By which this point is cleared that&#xD;
as a poet the circle of Sermad Sehbai and Muneer Niazi is less than Jaun Elia&#xD;
therefore the dramatic expression of his prose, contesting shade provides deep&#xD;
effect to his inner point of view. In this way art, human screening, dance, music&#xD;
and painting due to profound interest and his dramatic analysis specially his&#xD;
film "Mah-e-Meer" converts his uncofortness into comfortness. The basic&#xD;
reference of Muneer Niazi, Jaun Elia and Sermad Sehbai is of a poet. But why&#xD;
did they come to prose writing. Had they not been expressing their message&#xD;
completely in the poetry? Are they thought that the poetry is not the complete&#xD;
way of expression, His place and fame has been expressed in such discussions&#xD;
of prose writings by Muneer Niazi, Jaun Elia and Sermad Sehbai.</description>
    <dc:date>2019-01-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://localhost:80/xmlui/handle/123456789/4361">
    <title>Pa Pashto Sabakasi Da Mashow Mano Da Adbiyato Tajziyaati O Tanqeedi Mutalia</title>
    <link>http://localhost:80/xmlui/handle/123456789/4361</link>
    <description>Title: Pa Pashto Sabakasi Da Mashow Mano Da Adbiyato Tajziyaati O Tanqeedi Mutalia
Authors: , Bait u Rahman</description>
    <dc:date>2019-01-01T00:00:00Z</dc:date>
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